Making this print was really challenging but also great fun, so I tried to photo and document everything. If you have any questions about any step or something I used, feel free to comment and I'll be happy to answer.
I've been drawing, carving, proofing and printing non-stop for the past two weeks, and the next week will be the last before the deadline for next year's Liljevachs Spring Salon (Liljevachs vårsalong). Background information: Liljevachs public art gallery was opened in 1916 as the first independent, public museum for contemporary art in Sweden. I am planning to apply with a couple of my original linocuts, including two new reduction prints featuring churches and rooftops in Stockholm.
S:t Johannes Kyrka is the first of the two and is the view of Vasastan roofs with the church's peaking Gothic tower. I've been going up to the roof park on Sveavägen to look at the amazing geometry; this linocut is my interpretation of it.
I started with a sketch in Photoshop. Here's what I learned: clipping masks work great when sketching for reduction prints. Nothing fancy at this stage - just messy doodle to show myself the overall composition and colors.
I did a quick transfer, tracing the outline (I printed it out to A3, same size with the block) and draw the details right onto the block. Here's me carving for the first layer.
At this point I'm carving away what I want to leave white.
First test proof of the lighter-colored layer. I'm making two editions, with this layer being red or yellow.
I made enough prints of the first layer, in both colors, to give myself some margin for error in registration. Prints would hang to dry for 3 - 4 days before I print the second layer.
This is the yellow one - a bright, rich color that really reminds one of the sunrise on a beautiful day.
When the prints were hanging on the wire, I cleaned the block using baby wipes and baby oil, then started carving more from the block to prepare for the second layer. Here I'm carving away what I wanted to leave yellow/red.
First test print! Apart from the dark color not saturated enough, I also marked with little stickers all the places I wanted to tweak before printing the final edition. Oh, also - you'll notice I signed this test print in Chinese :)
Printing the final edition :) Registration turned out great, and the dark color really made the lighter one pop.
Another angle -
And the completed print, in yellow and dark gray (Sunrise), or red and dark purple (Sunset).
Can you spot the squirrel?
Some details on the print:
Well, that's the print :) It's available for purchase in my shop here. Limited edition of 10 original linocuts for both colors; the design measures A3 and is printed on Hosho paper.
Until next time!